Danced to baroque music and a percussive score that intrudes and sometimes overlaps Arcangelo Corelli, Henry Cowell and Malloy Miller, combined by John Herbert McDowellthe men and women both inhabit two different worlds, alternating between genteel court-like dancing and base, animal instinct-like movement. Taylor creates a strange community, where both genders embody the civilized and the raw a quartet of men in tuxes cavort and compete with each other creating unlikely juxtapositions that simultaneously cause consternation, surprise, and laughter.
Taylor constantly sets up artifice, lifts the veil of appearances, then drops it back down with a thud. Paul Taylor veteran Lila York, who has choreographed for dozens of ballet companies since, created a dream-like world in Continuum.
Waterfall lifts in canon and dreamy, slow sequences allude to loss, and resignation.
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He knows his stuff. Funerals, Memorial ServicesWeddings. Fit as a Fiddle Canada's one-hour show is action-packed. Margot plays percussion snare drum, spoons, shakers, bongosAidan plays guitar and fiddle and some special surprise instruments too.
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